
Welcome to the Inaugural Production of Arkansas Classical Theatre!
Director’s Notes about the Show:
The Comedy of Errors is one of Shakespeare’s earliest plays as well as his shortest. Typical of the comedies, it begins under tragic circumstances: Egeon, a merchant from Syracusa, has landed in Ephesus in search of his son Antipholus, and due to ongoing animosity between the two cities Egeon is sentenced to death, unless he can find someone to pay a hefty sum on his behalf. When Egeon shares his story, we learn Antipholus is an identical twin who was separated from his brother as a young child, and that seven years ago he left his father in search of that brother. Antipholus also kept his brother’s name to keep his memory alive. On this day, both Antipholus twins end up in Ephesus unbeknownst to each other, and comic mayhem occurs.
The play is an adaptation of a popular ancient Roman comedy. Shakespeare’s changes include deepening relationships and expanding the women’s roles, and most importantly, adding a second set of identical twins, both named Dromio, who are servants to the respective Antipholus twins, doubling the comic chaos.
It’s startling to see themes and circumstances of the play resonating today, such as the fear and jailing of immigrants, tariffs placed upon foreign merchants, the division of brothers, and the loss of sense of self. “Who am I?” is a recurring question in the play.
Shakespeare’s company performed in an open-air theatre, before the advent of modern scenic design. The text, rather than scenery, tells us where and when the scenes of the play take place. That feature, along with knowing Shakespeare was a producer as well as a playwright, led to some of our production choices, including a small troupe of actors playing all the roles, and presenting the play with limited scenic changes. I hope you find our design choices have captured the magical dreamscape of the play, and that you enjoy watching these incredible actors transform from one character to another!
Michael Landman (Director)
Michael Landman happily returns to NWA from his home in San Miguel de Allende, Mexico, to collaborate with talented and delightfully zany amigos old and new. Michael retired from the University of Arkansas last year after spearheading the MFA Directing and Graduate Performance programs. Past Shakespeare directing credits include Othello, The Winter's Tale, and As You Like It, and assisting at the Royal Shakespeare Company and The Shakespeare Theatre.
Meet the Cast!
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Harrison Baxley
Dromio of Ephesus, Dromio of Syracuse
Harrison Baxley is an MFA Acting student at UARK. He is a certified Actor Combatant through the Society of American Fight Directors and holds a BA in Theatre Arts from the University of South Florida. Regional Credits include Chris Keller in All My Sons (Tampa Repertory Theatre), Warren Straub in This Is Our Youth (Off-Central Players), and Jean Passepartout in Around the World in 80 Days (ThinkTank Theatre). Instagram: @harrisonbaxley.
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Marjorie Gast
Harpist
Marjorie is a third-year MFA Acting student at the University of Arkansas. Her most recent regional credits include: The Last Wide Open, Winnie the Pooh (B Street Theatre); The Glass Menagerie, Big River (Mississippi Bend Players); The Children's Hour, Private Lives (St. Croix Falls Festival Theatre); The Suffragist (Gallagher Performing Arts Center); Bridges of Madison County (Revival Theatre); Future Thinking (Mirror Box Theatre). Marjorie is a Suzuki trained harpist, classical pianist, composer, and singer.
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Selena Mykenzie Gordan
Luciana, Luce
Selena Mykenzie is a MFA acting candidate at UARK. She recently appeared as Tectonic/Ensemble in Bookends (TheatreSquared ANPF); Martha/Ensemble in A Christmas Carol(TheatreSquared); Eva - Performed Understudy for In the Grove of Forgetting(TheatreSquared) and Katherine in The Life of King Henry the Fifth (Shake on the Lake). Her other credits include Miranda in The Tempest (Arkansas Shakespeare Theatre); Ellen - Performed Understudy in It Came From Outer Space(TheatreSquared); Lead Vocalist and Narrator in the national tour of Cirque Dreams Holidaze (VStar Entertainment); Lady Macbeth in MXBETH (Shake on the Lake); Traveler in The Miraculous Journey of Edward Tulane (TheatreSquared Education); and Lead Actor in The History Show(TheatreSquared Education).
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Ann Heitman
1st Merchant, Angelo, Courtesan
Ann recently graduated from the University of Arkansas with a major in theatre. Her previous credits include The Last Forest in Brooklyn, Silent Sky, The Trojan Women, Greetings from Sadsville, Anatomy 101, Everybody, and The Wolves. She also co-founded the improv club at UofA.Ann is heading to England to pursue a masters in theatre from the Drama Studio of London. She would like to thank her family for being so supportive of everything she does and hopes you enjoy the show! -
Mischa Hutchings
Duke Solinus, Balthazar, Officer, Emilia
Selected acting credits include: Mary in It’s a Wonderful Life: a Radio Play (TheatreSquared), Mary in Detroit (Catastrophic Theatre), Alice in Lidless, Stacey in Spaghetti Code (Horse Head Theatre), Meg in Fishing (Cone Man Running Productions), Rainbowlands (14 Pews) Margaret in Leading Ladies (Texas Repertory Theatre) Karen in Speed the Plow (Country Playhouse); Catherine Notions of Right and Wrong (Mildred’s Umbrella). Mischa also spent 4 years as a company member at Main Street Theater for Youth (Houston, TX). Mischa has appeared in multiple Lifetime and Hallmark films, television shows, and commercials. MFA U of A.
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Elizabeth “Betsy” Jilka
Adriana
Betsy is a Co-Founder of ACT and an Instructor of Theatre at the University of Arkansas as well as Northwest Arkansas Community College. Selected acting credits include: TheatreSquared, Trike Theatre, Arkansas Philharmonic Orchestra, Shakespeare Theatre of New Jersey, Fourth Wall Theatre, Mac-Haydn Theatre, Tulsa Project Theatre, and Arkansas Shakespeare Theatre. She is a voiceover artist and voice teacher and a member of the National Association of Teachers of Singing. She teaches voice in her private studio as well as at the Folk School of Fayetteville. Betsy holds a BA in Music and an MFA in Acting from the University of Arkansas. She is thrilled to bring this company of people together to form our first main stage production. www.betsyjilka.com
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Steven Marzolf
Antipholus of Ephesus, Antipholus of Syracuse
Steven Marzolf is a Co-Founder of ACT and Head of Undergraduate Performance at the University of Arkansas. Selected acting credits include: The Old Globe Theatre, La Jolla Playhouse, Milwaukee Rep, Chicago Shakespeare Theater, Theatresquared, Trike Theatre, Arkansas Shakespeare Theatre, William Inge Festival, Riverside Theatre, Notre Dame Summer Shakes and Steppenwolf Theatre Company. Directing credits include: Theatresquared,Riverside Theatre in Iowa City, The Side Project in Chicago, The South ArkansasSymphony/Theatresquared, The Stella Adler Institute in NYC, Opera Fayetteville, NWA Shakespeare Festival, Trike Theatre, Arkansas Philharmonic Orchestra, The Classical Edge, University of Tulsa and University of Arkansas. He holds an MFA in acting from The Old Globe Theatre/University of San Diego. www.stevenmarzolf.net
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Scott Russell
Egeon, 2nd Merchant, Pinch
Scott Russell is an actor and fight choreographer currently living in Indianapolis, IN. He is the Resident Fight Director for the Phoenix Theatre Cultural Centre, a graduate of The Conservatory at Act One Studios - Chicago, earned his MFA in acting from the University of Arkansas, and his BS in Biology from Belmont University. His acting and fights have been seen at TheatreSquared, Indiana Repertory Theatre, The Phoenix Theatre, Constellation, Indianapolis Shakespeare Theatre, Arkansas Shakespeare Theatre, and many other regional theatres.
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Celeste Richard
Stage Manager
Celeste Richard has worked with a variety of theatre companies that include TheatreSquared, Trike Theatre, ArkansasStaged, Block St. Theatre Company, Artist's Laboratory Theatre, and she is thrilled to add Arkansas Classical Theatre to the list. She holds a BA in Theatre from the University of Arkansas.
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Aowyn Anderson
Assistant Stage Manager
Aowyn Anderson recently graduated from the University of Arkansas and is currently pursuing a career in stage management. They most recently worked as stage manager for the readings of the Tectonic Project and Side by Side with the Arkansas New Play Festival at TheatreSquared, and as stage manager for The Last Forest in Brooklyn at the University of Arkansas.
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Cara Spencer
Props, Scenery
Cara Spencer has loved creating silliness and making theatre with all of the other brilliant artists working on this production. She has worked as a scenic artist at various theatres around the country, most recently the Alley Theatre in Houston and the Kansas City Rep. This was her second year running the paints/props shop for the UofA Theatre Department. She loves teaching and working with students but one of the perks of academia is having time during summers for professional gigs when the opportunities pop up. When not making theatre, she loves painting murals and exploring NWA with her dog, Mia.
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Valerie Lane
Costumes
Valerie Lane is an instructor with the Department of Theatre and the Costume Shop Lab Manager. She has been with the University of Arkansas for 17 years. While her primary focus is technology, she does continue to design when possible. Valerie is thrilled to work with Arkansas Classical Theatre on The Comedy of Errors! Selected regional credits include TheatreSquared and Pennsylvania Center Stage. Selected costume design credits at the University of Arkansas include V is for Violin; Your Last Friend, Inc.; Flamingo and Decatur; Boeing! Boeing!; and In the Book Of.
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Michael J. Riha
Scenery Consultant
Michael’s Broadway credits include, Assistant Designer to Christine Jones on the musical, ON A CLEAR DAY YOU CAN SEE FOREVER, and the Metropolitan Opera’s 2013 production of RIGOLETTO. He has worked as an Assistant Designer to the late John Iacovelli on productions at the Southcoast Rep, The Mark Taper Forum, and the Princess Cruise Line. He’s also worked at the Muny in St. Louis, MO and on the national tour of FIDDLER ON THE ROOF and has designed 14 productions at TheatreSquared. He is currently serves as the Chair of the Department of Theatre. He is the author of “Starting Your Career as a Theatrical Designer: Insights and Advice from Leading Broadway Designers” published by Allworth Press. Michael is a proud member of USA-829.
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Catie Blencowe
Lighting Designer
Catie Blencowe is a recent transplant from McKinney, Texas. She holds her MFA from the University of Arkansas and BFA from Sam Houston State University. She recently returned to the University of Arkansas as the Lighting and Sound Supervisor. Some of her favorite shows have been The Glass Menagerie (University of Arkansas), A Gentleman's Guide to Love and Murder (Tibbits Summer Theatre), Arabian Nights (Sam Houston State University), and A Little Night Music (University of Arkansas). Please sit back and enjoy the chaos!
We would like to thank our generous donors. Without your support, we would not have been able to make this happen. THANK YOU!
PATRONS OF THE GLOBE:
Tom and Jill King
Bill and Connie Clark
Susan and Orville Hall
Michael Hollomon and Eric Wailes
Beth Juhl and Patrick Williams
Courtney and Amber Crouch
James and Catherine Crouch
Margaret and Dick Rutherford
Joyce Stafford
Jen Sweeney and Dan Robinson
Chris and Debbie Weiser
Carol Sue and Alan Wooten
Anne and Steve Zega
Experience Fayetteville
PATRONS OF THE ROSE:
Jeffery and Laurie Barber
Lynn Carver
Gaye Cypert
William and Joyce Feldman
Jodi Hendricks
Lisa Henrichsen
Ann Henry
Todd Holscher
Paul Irwin
Clinton Jones
Katherine Kims
Leslie Landrum
Charles and Susan McKinney
Martha McNair
Martha Sutherland
Lia Uribe
Patsy Watkins
Special Thanks:
Ella Sands- Graphic Design
Stephanie Freeman- Front of House Manager
Reed Carson- Photography
KUAF-Kyle Kellams
Arkansas Democrat Gazette- Becca Martin
KNWA - Jason Suel
Our Board Members:
Jen Sweeney
Patricia Relph
Todd Holscher
Joyce Stafford
Beth Juhl